#toc 2021

[eggmeralda]

thumbnail that says "staying in my band until I feel appreciated" and the video is 3 years long

[myuin390]

A few things, one MrDrNose probably sat on the information like he did with Olivia's and Candace's ages, along with much more of ABIBAZ lore (https://www.tumblr.com/cornedbread/755850455682285568/merry-christmas-to-me-and-the-entire-dollex-and). There wasn't any evidence that anybody asked him about Angell's age before 2021, so he could have very well made her 18 before then. Two, this relies on her having a predatory age gap with MrDrNose, which there isn't.

Link: https://eternitydev-games.fandom.com/wiki/Angellica#cite_note-3

Links: https://www.disabled-world.com/disability/publications/printables/girls-weight-chart.php https://www.verywellhealth.com/average-height-for-women-8420952#toc-average-height-of-women-in-america-vs-worldwide

Based on the average height for adult women and the fact that Alice herself is Angell's height, we can reasonably assume that Angell is at least on the older end of the spectrum. Her height also hasn't notably changed between games, meaning that if she was 160 it in 2020, she was 160 in 2018. Based on the lockers she's 10+ because lockers aren't in middle schools. Based on how tall she is, we know she's atleast 14. Considering the fact that this game is 16+ making a protagonist that's under 16 is just weird, so 14 and 15 are out despite being very close to 160. Angell's age range is 16-18. You can't call him a p-do because she's around the same age as him during these events. There's no evidence to say that she wasn't 18 at the start or just aged up as he got older because he didn't like writing a character that young.

Also I just wast to emphasize how he probably did make her 18 earlier and that Olivia is 19 as of that info dump. The info dump was also likely made during the time that ABIBAZ remastered was being made.

Some middle schoolers could recognize it and some adults in their 30's couldn't, what's your point? She's not under 14. Even you think she's underage she's not under high school age.

Look, MrDrnose could be gross about kids but neither this point or the point about Olivia prove it. Also just to talk about Scrina because I know this is going to be brought up, MrDrnose posted a picture of Scrina wearing plaid underwear and a bow tie while looking embarrassed. It could be seen as fetishization but to me it just looks more like embarrassment. Plaid isn't a sexualized pattern and wearing underwear doesn't seem inherently sexual, especially considering that she doesn't have a human form. It's like putting underwear on a toaster or a bear. I could consider it gross if there were other actual instances of MrDrnose acting like this. It's weird, it can be used to reinforce that he's inappropriate with his teenage characters, but I don't think it has enough to consider him disgusting on its own.

[aricastmblr]

Jungkook cantando canciones de Jimin - Lie - Promise - Serendipity - Filter    - Christmas Love - With you - Vibe feat Jimin  -   Angel Pt.1 FastX

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook Vlive 2017.04.22. 꾸기 라이브🐰🐇  - Lie

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

BTS_twt 30 ene. 2019 - Promise by Jimin

그리고 지민씨도 피해갈 수 없습니다.

Y Jimin tampoco puede escapar

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-BTS ‘LOVE YOURSELF 承 Her’ Fansign ( Aladin Event) 22 Sept 2017 Jimin and Jungkook-Serendipity

-MCountdown jimin y jungkook - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-  BTS (방탄소년단) 'BREAK THE SILENCE: THE MOVIE COMMENTARY PACKAGE'  (Commentary ver.) 2021 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-HAPPYJINDAY Vlive 4 Dic 2020 llamada con jimin y estaba con jungkook - serendipity(04122020- jin vlive llamada a jikookkookmin que iban a casa)

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-InTheSoop2 Ep.2 2021 Jungkook - Serendipity 

    ☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-Bts world tour love yourself speak yourself the final dvd 2019 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-2022 SEASONS GREETINGS JK estilo-Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

JK💜 Vlive 7 marzo 2021 - Filter

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BANGTAN BOMB] 2021 FESTA Exam Behind the Scenes - BTS (방탄소년단) -  Christmas Love by Jimin - Sobok, sobok  16:35min

https://youtu.be/QlAPYyVue-g?t=995

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BTS VLOG] Jung Kook l CAMPING VLOG 2022 - With you 15:28min

https://youtu.be/4M5jGbVfItE?t=928

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook weverse live 1 febrero 2023   - Vibe feat Jimin 22:40min

잘 지내셨습니까 - Have You Been Well  - ¿Has estado bien?  

https://weverse.io/bts/live/2-113198481

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

jungkook weverse live cantando set me free pt.2 - cantando-tarareando like crazy del primer álbum de jimin face

JK

BTS

03.27. 11:53

슈취타

Suchwita

https://weverse.io/bts/live/3-115956451?hl=en

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

el nos dio pistas en sus weverse lives y ni uno ni en-cuenta  T T

JK

BTS

03.23. 13:06  

배고파요 ... 첫끼 ... 불금 ...

Tengo hambre... primera comida... viernes (tgif)

https://weverse.io/bts/live/3-115684831?hl=en

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

jungkook weverse live 24 Mayo 2023  -  Angel Pt.1 FastX

Knock Knock  - Toc Toc  

https://weverse.io/bts/live/1-119598161

[thuocdantoc-vn]

Sau một thời gian chuẩn bị, Hợp tác xã Nam dược Thuốc dân tộc Bắc Kạn đã chính thức khởi công xây dựng, đưa vào trồng thí nghiệm các dược liệu quý bản địa. Dự kiến đến tháng 10/2021 Hợp tác xã sẽ đi vào khai thác.

https://thuocdantoc.vn/thuoc-dant-toc-khoi-cong-xay-dung-hop-tac-xa-nam-duoc-bac-kan.html

[diario-vespertino]

“La salud mental es tabú, si decís que estás medicada te tachan”

Actriz, dramaturga y artista multifacética, Maruja Bustamante escribió y actúa una obra que aborda sus padecimientos psicológicos. Una conversación en profundidad sobre la doble moral del ambiente teatral, la discriminación hacia las corporalidades no hegemónicas y la escasez de tramas con protagonistas gordas. Maruja Bustamante es una artista multifacética imposible de encasillar. Actriz de cine, teatro y televisión, performer, escenógrafa, guionista, directora, dramaturga y docente en la Escuela Municipal de Arte Dramático (EMAD), donde dicta Taller de Dramaturgia, espacio que antes de jubilarse ocupaba el histórico Mauricio Kartun.  Desde que arrancó a actuar, a los ocho años, no ha parado. Hoy Maruja está terminando de filmar una película en la cual las protagonistas son una reina y una princesa gordas, con la presencia de otras corporalidades no hegemónicas; el estreno será en una nueva edición del Festival Asterisco. También dirige “Alicia por el momento”, que se podrá ver en Timbre 4 (México 3554, CABA) los lunes de mayo y junio a las 21, y está a punto de estrenar otras tres obras: “Adiós, cyborg, amor”, de Belén Gatti, y las dos restantes de su autoría (“Chacha San Pietro y  “Potencia Gutiérrez”). Uno de sus mayores desafíos recientes fue escribir y actuar “La casa oscura. Un documental sobre la salud mental”, que se estrenó en 2021, giró por distintos escenarios y se presentará en Caras y Caretas (Sarmiento 2037, CABA) el miércoles 19 de abril. Con una larga trayectoria arriba de los escenarios, asegura que no fue fácil llevar al teatro un tema que continúa siendo motivo de estigmatización y discriminación hacia quienes son diagnosticadxs.

–¿Cómo surgió hacer “La casa oscura”? –Hace varios años que quería hacer algo así y me costaba porque el tema es muy tabú y, además, para cualquier cosa que quieras hacer, si decís que estás medicada, te tachan. De mí han dicho ‘ojo que Maruja está medio loca, entonces mejor que no venga’, cuando, en realidad, todo el mundo se medica. Traté de hacer cosas sobre salud mental, pero todo lo que se me ocurría me parecía una porquería, hasta que un día me llamó Mariela Asensio y me dijo ‘Maruja fui al psiquiatra y me diagnosticaron TOC’. A ella la conozco desde los 20 años, somos colegas que siempre nos encontramos porque tenemos intereses similares. Me lo contó porque una vez me escuchó hablar de lo que me había pasado. En 2012 tuve un surmenage con ataques de pánico, visiones y casi me internan. Me costó 10 años ver cómo hablar de eso y la recuperación fue un montón. Ella tiene TOC nivel Dios, de los que cierra la puerta 70 veces y me dijo que se sentía muy mal. Quería hacer una obra y que yo la acompañe, porque sentía que sola no iba a poder. La obra trata de nuestros diagnósticos y de cómo hicimos o cómo hacemos para sobrellevarlos, en tono de comedia. Es un show documental sobre la salud mental porque tiene un tono cómico, también tiene momentos tristes, pero depende, hay gente que va y llora todo el tiempo porque se siente muy identificada. Hablamos de los tratamientos, de la familia, del trabajo, porque lo que tiene la salud mental es que de repente atraviesa toda tu vida y tenés que ver cómo convivir con el mundo y con eso que te está pasando.  "No podemos salir haciéndonos las divas, muchas personas nos esperan y nos quieren abrazar." –Y también convivir con personas que no entienden lo que te pasa. –Claro, a mí me han dicho ‘con Maruja no porque le agarra eso que le agarra y no puede hacer nada’. Yo tenía muchos pánicos, entonces de repente quedaba paralizada y se me estigmatizaba. Llegué a tener pánico escénico, eso fue lo más triste que me pasó. Llegaba al teatro y no podía salir al escenario. Cancelé funciones, entonces obviamente me odiaban y todos decían ¿qué le pasa? Durante la pandemia varios de esos que hablaban de mí tuvieron un ataque de pánico, no querían salir de la casa y me llamaban pidiendo perdón. ‘Maruja yo hablé muy mal de vos en ese momento, no entendía qué te pasaba’, me dijo una colega. Lástima que primero tuvo que pasarle para que se diera cuenta. Si hubiese más información no pasaría eso. Como docente pienso que por suerte estoy yo, porque otro profesor a mis alumnos con esos episodios los hubiese dejado libres. 

–Imagino que, por lo poco que se trata la temática de la salud mental, tuvo buena recepción la obra. –Sí, es muy fuerte todo lo que nos pasó. Un día vino de incógnito Carla Vizzotti, la ministra de Salud. Cuando terminó la obra dijo que nos quería saludar, nos dio un abrazo y me dijo: ‘Te quiero pedir disculpas porque el sistema médico no te supo contener’, porque en un momento en la obra me quejo de eso. Yo veía que alguien lloraba mal en primera fila, pero no sabía que era ella. Ahora nos lleva a congresos de salud mental en el país para que mostremos la obra a profesionales, directores de hospitales, jueces. Yo pensaba 'hagamos esta obra para sacarnos todo y si ayudamos a una persona ya soy feliz', pero después me di cuenta que estamos ayudando a muchas personas con esta obra. También hacerla lo sentimos como una responsabilidad. Una vez vino una mamá con su hija que estaba teniendo muchos pánicos. Cuando salí la chica lloraba y me preguntó ‘¿te puedo abrazar?’, la abracé y me dijo ‘¿me decís algo?’. Y le dije 'vas a salir, por lo menos es lo que me pasó a mí, salís sí o sí'. Me decía 'gracias' y lloraba, fue muy fuerte. No podemos salir haciéndonos las divas, muchas personas nos esperan y nos quieren abrazar. "Llegaba al teatro y no podía salir al escenario. Cancelé funciones, entonces obviamente me odiaban y todos decían ¿qué le pasa?" Trayectoria en movimiento A los seis años Maruja empezó danza y a los ocho le dijo a su mamá que quería ser actriz. Empezó con talleres de actuación en la Asociación Cristiana de Jóvenes, donde iba a nadar, porque su mamá no conocía otros espacios de teatro. Por una de esas suertes de la vida, Maruja vivía en el mismo edificio que la actriz y dramaturga Ana María Giunta y a la mamá de Maruja se le ocurrió preguntarle dónde podía llevarla. Giunta le recomendó que estudiara en el Instituto Vocacional de Arte Manuel José de Labardén y al año siguiente ya había ingresado; también pasó por el Club del Teatro. Luego se formó con Helena Tritek, su maestra de actuación, y también con Graciela Dufau y Ricardo Bartís. A los 22, una amiga le recomendó hacer un casting para una obra de José María Muscari que se llamaba “Catch”: “Entré a 'Catch' después de una audición en Parque Chacabuco que fue muy feroz y había un montón de pibas. Esa fue la primera obra que hice con Muscari; hice cuatro más con él, eran sus primeras obras”, recuerda Maruja. A los 25, ya había estrenado su primera obra como autora y directora, a la que llamó “No mires sin Mirta”. Cuatro años antes había debutado como directora en Teatro por la Identidad con la obra “Fronterizos”; sus compañeros le pidieron que la dirigiera. “Helena Tritek siempre me decía 'vos dirigí porque se te ocurren cosas'. Naturalmente siempre les decía a los actores 'ponete esto, hacé lo otro'. Helena y su hijo Hugo empezaron a estimularme para que dirigiera. En un momento, cuando estábamos haciendo unos cuentos de Silvina Ocampo en bibliotecas de la Ciudad, Helena se fue de viaje y nos dijo a todo el grupo 'me voy a ir, pero les dejo a Maruja como directora'. Ésa fue la segunda obra que dirigí y la llamé ‘Si no vuelvo no te asustes’; la hicimos en la fábrica IMPA”.

En paralelo, Maruja estudiaba Comunicación social en la UBA. Llegó a la mitad de la carrera, hasta que un profesor de la materia Taller de comunicación audiovisual le dijo “¿Qué haces estudiando esto?”. Dejó la UBA y entró a la FUC a estudiar cine, mientras seguía haciendo teatro. Estudió montaje, pero lo que más le gustaba era escribir guiones. Intentó ingresar a la Escuela Metropolitana de Arte Dramático, no lo logró y se puso a estudiar de nuevo. Volvió a rendir, entró y cursó una maestría en Dramaturgia en la Universidad Nacional de las Artes. Maruja es de esas artistas que está en formación constante. Ahora estudia en el laboratorio de Lyon y el año pasado cursó el Programa de Cine de la Universidad Torcuato Di Tella. Hizo, además, talleres de poesía y de canciones con Tommy Lebrero y con Rosario Bléfari. Pinta hace 12 años y aunque reconoce que dibuja mal, en la pintura encontró mucha tranquilidad. Fue una de la seleccionadas para realizar la residencia del Royal Court Theater de Londres que se hizo en Latinoamérica, un programa en el que participaron profesionales dramaturgxs de Argentina, Uruguay y Chile. "En el teatro siempre hubo una doble moral, es como que todos nos aceptamos como somos, pero después en las obras no hay representatividad." Gordofobia en escena Maruja apenas supera los 40 años y su trayectoria actoral alcanza las tres cifras. Participó en más de 110 obras, actuó en tv, cine y teatro, pero su universo profesional no termina ahí. Es una de las referencias ineludibles de la dramaturgia contemporánea en el teatro argentino, un espacio que tradicionalmente han ocupado los hombres. Maruja viene a romper no sólo con una estructura patriarcal, sino que además cuestiona los estereotipos corporales en escena: ¿qué lugar tienen los cuerpos gordos en la ficción?, ¿qué personajes les están vedados arriba de un escenario? En un ambiente donde parece que todo es aceptado, por las ranuras de las tablas de madera se cuela la misma gordofobia que reina en la sociedad.

–¿Cómo fue hacer teatro durante tu adolescencia, qué te pasaba con tu corporalidad?  –En el teatro siempre hubo y sigue habiendo una doble moral, es como que todos nos aceptamos como somos, hay algo de eso que nadie va a negarlo, pero después en las obras no hay representatividad, eso lo viví siempre. En la adolescencia me daba terror hacer castings, pensaba 'no voy a quedar', además mi papá me decía que perdía el tiempo, porque era una gorda asquerosa. Yo un poco luchaba con eso y quise buscar contención con mis profesores, uno me dijo 'vos tenés que aspirar a hacer comedia y personajitos con ese cuerpo que tenés, porque no te van a dar oportunidad de hacer otra cosa'. Era duro que me dijera eso porque cuando estudiás, estudiás como todes, todo, o sea, estudiás para hacer de Julieta, por dar un ejemplo. –¿Qué lugar tienen los cuerpos gordos en la ficción? –Hace unos años vengo analizando que lo peor que nos pasa a las corporalidades diferentes, sea cual sea –yo soy gorda, pero también a les afrodescendientes o quien sea–, es que no incidimos en la acción de los relatos, siempre estamos satélites y somos prescindibles en las historias. Lo importante de una obra es la acción, que le pase algo a los personajes, y a esos personajes no nos pasa nada. Es algo fuerte que se traduce y que viene de la sociedad. Vas a hacer de cocinera, no importa si cocinás o no. Ahora últimamente lo que nos pasa es solo eso, ser gorda. Te pasa que si sos gorda nadie te quiere, si sos judía tenés un montón de conflictos con el judaísmo, no tenés nada que resolver, el personaje no tiene ningún camino que recorrer, entonces es aburrido actuar. Yo hice de mucama incontadas veces. "Lo peor que nos pasa a las corporalidades diferentes, sea cual sea, es que no incidimos en la acción de los relatos, siempre estamos satélites y somos prescindibles en las historias." –¿Qué otros papeles te daban? –Hice de secretaria, recepcionista, cajera, también hice de friki, de gorda loca como digo yo. Estoy hablando en el audiovisual comercial. No me tocó mucho la gorda simpática porque tengo un tono medio oscuro, me parece, pero está ese arquetipo: me toca más la gorda que rompe cosas, mala, resentida y también hay una zona donde me hacen hacer de tierna y medio tonta. En el teatro he protagonizado algunas obras como, por ejemplo, “Todo tendría sentido si no existiría la muerte”, que hice con Mariano Tenconi; me va a odiar por decir esto, pero él me dijo 'te la escribí para vos porque para mí vos sos Liliana'. Yo me emocioné un montón, es muy halagador que te escriban una obra y le tengo mucho aprecio a Mariano, pero Liliana, el personaje que hacía, era francamente gorda. Cómo se vestía, un poco medio heavy metal, tomaba merca y tenía una camioneta, otro personaje se confundía y la quería besar y ella le decía ‘yo no soy lesbiana’. Ya ahí había un estereotipo de gorda que se viste medio masculina, que le gusta el heavy metal, es obvio que es torta, se manejó ese estereotipo. La obra hablaba de una mujer que está muriendo de cáncer y que su último deseo era hacer una película porno. Todos los personajes están sexualizados en la obra y en algún momento tienen un encuentro con alguien, menos Liliana. Ella solo filma la película, para mí eso fue un gesto, más allá de que era re divertido y Liliana es la que apoya al personaje principal a que haga su película porno, no participa de la película porno. Están todos haciendo la película porno menos la gorda. Cuando se lo señalé a Mariano le dije “es inconsciente lo que te pasa, Mariano, no vas a poner a la gorda a coger”. Es rarísimo, no pasa porque también nos aniñan.

–¿Creés que eso cambiaría si la persona que escribe o dirige esa obra tiene una corporalidad no hegemónica?  –Yo pasé por eso y hay que deconstruirse también. Hoy en día pongo corporalidades que me identifican, de hecho, ahora voy a estrenar en el Cervantes una obra que se llama “Potencia Gutiérrez” y uno de los personajes es Serena, que es la hermana de la bastonera del carnaval, que es como la diosa, reina. Ella es gorda, rapera y no le importa nada del carnaval ni los estándares de belleza. Es hermosa, tiene un enamorado y no sabe qué hacer con él. Tiene mucha acción en la obra, le pasan un montón de cosas, está sexualizada, no está aniñada. También me gustaba que la madre sea gorda, pero no sé si la actriz va a poder, me gustaba que sea una madre que fue reina del carnaval y que engordó, ese tipo de personas que de verdad existen. Las madres siempre son atléticas, pero las madres que tuvieron dos hijos no sé si están todas tan atléticas, por dar un ejemplo. De hecho, también dirigí la obra “Yegua”, que es sobre una lesbiana motoquera que se le rompe la moto, busca dónde guarecerse, se mete un convento y revoluciona a las monjas. Elegí una actriz gorda para ese papel y puse una yegua que era otra actriz gorda como para ver qué pasaba en una obra donde son todas gordas y una vez una directora de teatro me dijo '¿por qué no pusiste a alguien más sensual para hacer de tortón?', que es Melina, el personaje principal. Yo le dije que para mí Melina es re sensual. Ahí pasa esto de la doble moral. Salen de Teatro Abierto, todo bien, pero si hay unos momentos de desnudos o situaciones eróticas, prefieren a una flaca que a Melina. –¿Qué pensás del cupo, que ahora se usa mucho para ser políticamente correcte? Por ejemplo, en la tv o en el teatro, que son todas actrices flacas y una gorda. –Pienso que es muy aburrido y muy duro para esa persona que es el cupo, porque se da cuenta. A mí me ha pasado mucho también como dramaturga que, por ejemplo, hay un ciclo de dramaturgos en el Cervantes y somos ocho: siete varones y yo, como si yo fuera la representación de todo el pensamiento de las femenidades del mundo. Es un peso muy grande y en el caso del cupo gordo pasa lo mismo. No soy solo gorda, estudié, hice esto, lo otro. También lo que sucede mucho es que nos confunden porque no nos miran bien. Por ejemplo, con Karina Hernández es como si fuésemos una y ella me cuenta que le pasa lo mismo. Pienso que es porque no nos miran a la cara, porque no tenemos un pedo que ver.  ::: Estefanía Santoro para Revista Citrica /Fotos: Agustina Salinas::: Read the full article

[aorfamaiaposts]

Você sabe a minha história de vida?

Na minha infância, eu apanhava por bobeira, minha mãe era estourada. Eu via minha mãe e meu padrasto discutindo. Cresci sem meu pai, com a falta dele. Até que quando ele apareceu, eu tinha um irmão. E quando ficamos próximos, ele morreu no ano seguinte. Faltando 3 meses pro meus 15 anos.

E no meio disso, antes dele morrer, tinha chegar em casa e minha mãe tentando se matar. Tinha minha mãe dopada, é, porquê depois da minha infância, ela começou a se dopar.

Ah, quando eu era criança também, eu era gordinha e depois de um tempo, quando eu cresci, meu maior medo era engordar! E também, eu já tive infecção no sangue que eu podia morrer ou perder os movimentos algo assim. Tive a remoção das amígdalas porque eu sufocava. Tive suspeita de H1N1 com 9 anos se não estou errada.

Com 11/12 anos, ouvindo pessoas dizerem coisas horríveis sobre mim. Tinham até página no Facebook “todos contra Mayara Maia”.

Um cara do qual eu nunca vi o rosto, me usou virtualmente, e eu era uma criança e depois, uma pré adolescente.

Eu cresci buscando o amor!

Eu sonhava em ter um namorado, alguém que cuidasse de mim.

Enquanto isso, inúmeras vezes me senti sozinha, inúmeras vezes eu tive que me virar.

Com 15 minha mãe ainda tentava se matar, com 16, eu só tinha 16!!! Eu estava sozinha no hospital com ela, por 3 dias, a virada do ano com ela, porque ela tentou se matar de novo.

Ah, e antes disso, teve um cara, do qual sofreu um acidente comigo, e me largou na beira do asfalto sozinha!

A vida foi continuando, em 2020 em plena pandemia eu sofri outro assédio, se dá pra chamar, um abuso, isso, quando eu só queria um amor!

2021 eu tive que sair da minha casa e de novo me virar e contar com ajuda de estranhos, porquê a relação com a minha mãe estava cada vez pior. Tive meu apê, meu canto, meu trabalho.

Conheci finalmente alguém que cuidaria de mim e me desse amor…

Ah, em 2021, eu ainda vi conhecido meu morrer.

Depois dessa vida toda, me diz, como não chegar ferrada em um relacionamento?

Em 2018 eu até fui no psiquiatra, em 2019 estava melhor, mas ainda com TOC.

Esse ano, eu tentei ajuda de novo. E eu sempre tive minha psicóloga, desde os meus 10 anos.

Me diz, como não errar no meu primeiro relacionamento?

Eu tentei sabotar meu relacionamento, eu errei, eu falhei, quando eu não quis nada disso!

E hoje, quando eu achei que tinha achado o amor, eu acordo às 3 da manhã pra dar bom dia, e tudo que tenho, é o silêncio, porquê ele diz que precisa se curar, porquê se perdeu.

Eu só quis ser amada, mas, quem liga?

No final, eu devo ter estragado tudo.

@aorfamaiaposts

[healthcare-domain]

Infertility Treatment Market Scope of Current and Future, Key Players Analysis by 2026

According to the new market research report "Infertility Treatment Market by Product (Equipment, Media, Accessories), Procedure (ART (IVF,ICSI, Surrogate), Insemination, Laparoscopy, Hysteroscopy, Patient Type (Female, Male), End User (Fertility Clinics, Hospitals, Research) - Global Forecast to 2026", published by MarketsandMarkets™, the global Infertility Treatment Market size is projected to reach USD 2.2 billion by 2026 from USD 1.5 billion in 2021, at a CAGR of 8.1% during the forecast period.

Browse in-depth TOC on "Infertility Treatment Market"

215 – Tables 40 – Figures 255 – Pages

Download PDF Brochure: https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=43497112

The decline in the fertility rate, increase awareness about the availability of infertility treatment procedures, rising number of fertility clinics, increasing public & private investments and growing technological advancements are expected to drive market growth in the coming years

The infertility treatment market include major Tier I and II suppliers of infertility treatment equipment, media & consumables are The Cooper Companies Inc. (US), Cook Group (US), Vitrolife (Sweden), Thermo Fisher Scientific, Inc. (US), Esco Micro Pte. Ltd. (Singapore), Genea Biomedx (Australia), IVFtech ApS (Denmark), FUJIFILM Irvine Scientific (US), The Baker Company, Inc. (US), Kitazato Corporation (Japan), Rocket Medical plc (UK), IHMedical A/S (Denmark), Hamilton Thorne Ltd. (US), ZEISS Group (Germany), MedGyn Products, Inc. (US), DxNow, Inc. (US), Nidacon International AB (Sweden), Gynotec B.V. (Netherlands), SAR Healthline Pvt. Ltd. (India), and InVitroCare Inc. (US). These suppliers have their manufacturing facilities spread across regions such as North America, Europe, Asia Pacific.

Request Sample Pages: https://www.marketsandmarkets.com/requestsampleNew.asp?id=43497112

COVID-19 has impacted their businesses as well. Logistical issues, managing patients with the disease, prioritizing patients with comorbidities and pre-existing conditions, and protecting public & hospital frontline workers from exposure to the COVID-19 infection are the major challenges faced by healthcare systems across the globe. One in six reproductive-aged couples experiences infertility, and many turn to treatments such as intrauterine insemination (IUI) and in vitro fertilization (IVF), which require in-person appointments to complete.

The fertility rate worldwide is declining steadily owing to various factors, such as the growing trend of late marriages and increasing age-related infertility. Global fertility rates are projected to decline to 2.4 children per woman by 2030 and 2.2 children per woman by 2050. This declining fertility rate has led to a significant increase in the demand for infertility treatment products that determine the fertility window in males and females.

The rise in number of fertility clinics to support the market growth during the forecast period.

Significant rise in number of fertility clinics, coupled with the decline in the fertility rate across the globe. Along with this growing focus of players and government towards the launching and acquiring new fertility centers across the globe is likely to contribute towards the growth of the segment. The expansion of fertility clinics equipped with advanced technology is anticipated to increase the accessibility of infertility treatment devices among infertile couples.

Speak to Analyst: https://www.marketsandmarkets.com/speaktoanalystNew.asp?id=43497112

Asia Pacific likely to emerge as the fastest-growing infertility treatment market, globally

Geographically, the emerging Asian countries, such as China, India, Japan and Singapore, are offering high-growth opportunities for market players. The Asia Pacific point of care market is projected to grow at the highest CAGR of 9.1% from 2021 to 2026. Expansion of healthcare infrastructure and increase in disposable personal income, rising medical tourism in Asian countries, increasing healthcare expenditure, and growing awareness among people about infertility are supporting the growth of the infertility treatment market in the region.

Prominent players in this market are The Cooper Companies Inc. (US), Cook Group (US), Vitrolife (Sweden), Thermo Fisher Scientific, Inc. (US), FUJIFILM Irvine Scientific (US), Kitazato Corporation (Japan), and Hamilton Thorne Ltd. (US), among others

[rkingresearch]

E-Pharmacy Market Size, Share | by Region Analysis and Forecast 2022-2028

The Global E-Pharmacy Market was valued at USD 60.4 Bn in 2021, and it is expected to reach USD 136.1 Bn in 2028, at a CAGR of 13.84%.

The global E-Pharmacy market research gives a detailed and practical analysis of the products and services in this market which provides a competitive advantage to the existing and new businesses. In depth study and overview of the market has been collected by the overall insight of the industry and specifies the market segmentation, potential opportunities, growing market trends and events, current and future advancements, and other elements. This report will also showcase many possibilities of upscaling the global E-Pharmacy market share size.

Get a Sample PDF of Report - https://www.extrapolate.com/sample/Healthcare-Medical-Devices-Biotechnology/e-pharmacy-market/25616

The competitive landscape of E-Pharmacy market includes major players such as:

The report includes all key points related to the most important determinants of E-Pharmacy industry’s growth. This research looks closely at the market competition, product development trends, and sale prospects such as evolutions of consumer behavior, current market need, client preferences, and changing needs and demand. Furthermore, the report discusses its prominent players, along with their new entrants, influential players and much more.

The E-Pharmacy market analysis will help companies identify potential development areas and create strategies to take advantage of emerging opportunities. It analyzes the current competitive environment in addition to offering key details like market statistics and product releases from leading companies in this industry. This industry is characterized in terms of market size, market coverage, market exchange rate, segmentation, and market share.

Inquire Before Buying This Research Report: https://www.extrapolate.com/enquire/Healthcare-Medical-Devices-Biotechnology/e-pharmacy-market/25616

The E-Pharmacy market is segmented by types into:

SEGMENTATION

By Drug Type

By Product Type

By Operating Platform

By Region

Detailed analysis of applications and customers that use the services provided by the E-Pharmacy market is also discussed in the report. Similarly, it provides information about its key competitors and their footprints according to the respective regions. Along with it, the study will cover company portfolios, E-Pharmacy market growth opportunities, obstacles, collaborations, mergers and acquisitions.

Moreover, it provides a quick summary of the E-Pharmacy global market developments for the estimated period of time which will ultimately provide ideas to businesses in terms of working and processes of the E-Pharmacy market. This research has been generated based on the historical data and future possibilities of the market. The overall industry scale of the market has been studied from the global perspective by utilizing multiple research methodologies such as Porter’s five forces model, SWOT and PESTEL analysis.

Detailed TOC of Global E-Pharmacy Market @ https://www.extrapolate.com/toc/Healthcare-Medical-Devices-Biotechnology/e-pharmacy-market/25616

TABLE OF CONTENTS:-

Chapter 1. Executive Summary

Chapter 2. Research Methodology

Chapter 3. Market Outlook

Chapter 4. COVID-19 Impact On E-Pharmacy Market

Chapter 5. Global E-Pharmacy Market Overview, By Drug Type, 2015 - 2028(USD Million)

Chapter 6. Global E-Pharmacy Market Overview, By Product Type, 2015 - 2028(USD Million)

Chapter 7. Global E-Pharmacy Market Overview, By Operating Platform, 2015 - 2028(USD Million)

Chapter 8. Global E-Pharmacy Market Overview, By Geography, 2015 - 2028(USD Million)

Chapter 9. North America E-Pharmacy Market Overview, By Countries, 2015 - 2028(USD Million)

Chapter 10. Europe E-Pharmacy Market Overview, By Countries, 2015 - 2028(USD Million)

About Us

Extrapolate is a global market research and content services firm that works closely with clients in various industries to improve market position, increase returns on marketing investments, and define and implement strategies that get real results.

In an era of breakneck change and a low tolerance for missed or misread opportunities, businesses need astute guidance to shape markets-not merely respond to them. Extrapolate helps clients develop market perspectives that drive commercial success.

Contact Us: Extrapolate Phone: (+1) 888 328 2189 E-mail: talk@extrapolate.com Website: https://www.extrapolate.com

[marketresreasrch]

Water Filters Market 2023-2032: In-Depth Segmentation, Trends, and Growth Drivers

Water Filters Market 

The global Water Filters Market Size was valued at USD 14.16 billion in 2023 and is projected to reach from USD 15.03 billion billion in 2024 to USD 24.27 billion by 2032, growing at a CAGR of 6.17% during the forecast period.

Water Filters Market Overview

This report provides an in-depth analysis of the global Water Filters Market, highlighting key regional insights, growth drivers, and emerging trends shaping the industry's landscape. It explores market dynamics, competitive strategies, and innovation efforts by major players striving for a competitive advantage. Through detailed segmentation, the report offers comprehensive forecasts for market size and growth trajectories, based on current and projected market conditions.

Free Sample Report + All Related Graphs & Charts : https://straitsresearch.com/report/water-filters-market/request-sample

Market Report Scope and Research Methodology

The research focuses on a regional-level analysis of the Water Filters Market, offering a granular understanding of industry penetration, dominance, and growth strategies implemented by leading market players. The study incorporates SWOT analysis to identify both the strengths and weaknesses of the Water Filters Market. The primary aim of this research is to provide detailed insights into the market's dynamics, including key drivers, challenges, and growth opportunities such as technological advancements, cost optimization, government policies, and environmental considerations.

Market Regional Insights

Regional insights are presented across North America, Europe, Asia Pacific, Latin America, the Middle East, and Africa. This detailed breakdown allows for a clearer understanding of the Water Filters Market performance, growth rate, and trade activities across different regions. The segmentation provides a deep dive into the factors influencing market trends and dynamics specific to each region, helping stakeholders make informed decisions in their respective markets.

For any Queries Linked with the Report, Ask an Analyst : https://straitsresearch.com/buy-now/water-filters-market

Market Segmentation

By Media Type

Single and Dual Stage 

Cartridges

Multimedia

By Applications

Water Dispenser

Home Water Filtration

Washing Machine and Refrigerator

Water Softening

Others

By Distribution Channel

Offline

Online

By End-Users

Residential

Commercial

Industrial 

Key Players in the Water Filters Market

3M Company

Pentair plc

BWT AG

Culligan International Company

EcoWater Systems LLC

Kinetico Incorporated

Aquatech International Corporation

GE Appliances (Haier)

Watts Water Technologies, Inc.

Panasonic Corporation

Canpure International Inc.

Aquasana, Inc.

Marmon Water, Inc.

Whirlpool Corporation

A.O. Smith Corporation

To Gain More Insights into the Market Analysis, Browse TOC : https://straitsresearch.com/report/water-filters-market/toc

Key Offerings

Competitive Landscape: Overview of Water Filters Market leaders, followers, and regional players.

Competitive Benchmarking: A comparative analysis of key players across regions.

PESTLE Analysis: An assessment of political, economic, social, technological, legal, and environmental factors influencing the Water Filters Market.

PORTER’s Analysis: Evaluation of the competitive forces shaping Water Filters Market dynamics.

Value Chain and Supply Chain Analysis: Understanding the flow of goods and services within the industry.

Legal Aspects of Business by Region: Overview of regulations and compliance standards affecting businesses in different regions.

Get More Related Press Release : 

[aricastmblr]

jungkook canta lie > promise > serendipity > filter > christmas love > with you > vibe feat jimin > set me free pt. 2 > like crazy > letter spoiler guitarra > angel pt.1 fastx > like crazy english version > letter >

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook Vlive 2017.04.22. 꾸기 라이브🐰🐇  - Lie

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

BTS_twt 30 ene. 2019 - Promise by Jimin

그리고 지민씨도 피해갈 수 없습니다.

Y Jimin tampoco puede escapar

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-BTS ‘LOVE YOURSELF 承 Her’ Fansign ( Aladin Event) 22 Sept 2017 Jimin and Jungkook-Serendipity

-MCountdown jimin y jungkook - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-  BTS (방탄소년단) 'BREAK THE SILENCE: THE MOVIE COMMENTARY PACKAGE'  (Commentary ver.) 2021 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-HAPPYJINDAY Vlive 4 Dic 2020 llamada con jimin y estaba con jungkook - serendipity(04122020- jin vlive llamada a jikookkookmin que iban a casa)

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-InTheSoop2 Ep.2 2021 Jungkook - Serendipity 

☼˖☽  ☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-Bts world tour love yourself speak yourself the final dvd 2019 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖��  ☼˖☽

-2022 SEASONS GREETINGS JK estilo-Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

JK💜 Vlive 7 marzo 2021 - Filter

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BANGTAN BOMB] 2021 FESTA Exam Behind the Scenes - BTS (방탄소년단) -  Christmas Love by Jimin - Sobok, sobok  16:35min

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BTS VLOG] Jung Kook l CAMPING VLOG 2022 - With you 15:28min

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook weverse live 1 febrero 2023   - Vibe feat Jimin 22:40min

잘 지내셨습니까 - Have You Been Well  - ¿Has estado bien?  

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

jungkook weverse live cantando set me free pt.2 - cantando-tarareando like crazy del primer álbum de jimin face

JK

BTS

03.27. 11:53

슈취타

Suchwita

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

el nos dio pistas en su weverse live y ni uno ni en-cuenta  T T

(Letter by Jimin con guitarra)

JK

BTS

03.23. 13:06

배고파요 … 첫끼 … 불금 …

Tengo hambre... primera comida... viernes (tgif)

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

jungkook weverse live 24 Mayo 2023  -  Angel Pt.1 FastX

Knock Knock  - Toc Toc  

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook Weverse Live

JK

06.05 01:03

ㅎ...

heh...

jk viendo a jimin cantando like crazy versión ingles en el programa de LEEMUJINSERVICE

jk imitando a jimin hablar XD

jk hablando de la pelea del día lluvioso T T 

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

jungkook weverse live

JK

7.26

-oh, ¿viniste?

Jungkook en weverse mira y canta mv de jimin

지민 (Jimin) '편지 (Dear. ARMY)' Live Clip #2023BTSFESTA

jk-¿Escuchamos la Letter (Carta) de Jimin-hyung?

jk- busca Letter by Jimin

jk-Jimin Jaman Jimin Jaman Jimin Park Jimin Park Jimin Park Jimin Park Jimin letter" JK weverse en vivo 7.26

jk-canta y mira vídeo de Letter by Jimin

jk-La canción es buena.

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[sudeepkedar]

Electric Vehicle Waterproof Charging Pile Market to surpass USD 15.3 Bn  by 2032

The electric vehicle waterproof charging pile market is projected to grow at a CAGR of 15.8% from 2024 to 2032. This growth is driven by the increasing adoption of electric vehicles, spurred by rising environmental awareness and supportive government policies. As more consumers and businesses transition to EVs, the demand for reliable and durable charging solutions, particularly waterproof charging piles, is increasing. These charging piles ensure safety and longevity, especially in areas with harsh weather conditions. Additionally, various global incentives, such as subsidies and tax benefits, are helping accelerate the adoption of EVs, driving the need for robust charging infrastructure.

Request for Sample Copy report @   https://www.gminsights.com/request-sample/detail/11546

The expansion of cities and rapid urbanization are further boosting the demand for extensive EV charging networks. As new residential and commercial areas develop, the need for functional and safe charging solutions that can withstand the elements becomes critical. The rise of smart cities, which incorporate integrated EV charging infrastructure, is also contributing to the growing demand for waterproof charging piles.

The market is segmented by charging method into AC charging piles, DC charging piles, and wireless charging piles. In 2023, AC charging piles accounted for a significant share of the market, valued at USD 2.5 billion. Manufacturers increasingly offer customizable and modular designs for AC charging piles to meet diverse installation needs. These customizable options include adjustable power levels, various connector types, and enclosures suitable for different environments. Enhanced safety features, such as overcurrent protection and thermal monitoring, are becoming standard, ensuring reliable operation even in extreme conditions.

Request for customization this report @  https://www.gminsights.com/roc/11546

In terms of installation location, the market is segmented into residential, commercial, and public installations. The residential segment is expected to hold over 45% of the market share in 2023. As smart home technology advances, homeowners seek EV charging piles that integrate with smart home systems, offering features like remote monitoring and control. Additionally, the trend of combining solar power with EV charging solutions is growing, as it maximizes energy efficiency and reduces reliance on the grid.

Regionally, the US market is experiencing rapid growth due to increased EV adoption. On the other hand, Europe is driven by environmental goals and stringent emission regulations. The demand for weather-resistant and standardized charging infrastructure remains a key focus across both regions.

Partial chapters of report table of contents (TOC):

Chapter 1   Methodology & Scope

1.1    Research design

1.1.1    Research approach

1.1.2    Data collection methods

1.2    Base estimates & calculations

1.2.1    Base year calculation

1.2.2    Key trends for market estimation

1.3    Forecast model

1.4    Primary research and validation

1.4.1    Primary sources

1.4.2    Data mining sources

1.5    Market scope & definition

Chapter 2   Executive Summary

2.1    Industry synopsis, 2021-2032

Chapter 3   Industry Insights

3.1    Industry ecosystem analysis

3.1.1    Factor affecting the value chain

3.1.2    Profit margin analysis

3.1.3    Charging pile manufacturers

3.1.4    Distributors

3.2    Supplier landscape

3.2.1    Charging pile manufacturers

3.2.2    Tier 1 and tier 2 suppliers

3.2.3    Technology integrators

3.3    Profit margin analysis

3.4    Technology differentiators

3.4.1    Smart charging features

3.4.2    IP rating integration

3.4.3    Advanced charging protocols

3.4.4    Modular charging pile architecture

3.4.5    Others

3.5    Key news & initiatives

3.6    Regulatory landscape

3.7    Impact forces

3.7.1    Growth drivers

3.7.1.1    Rising electric vehicle adoption

3.7.1.2    Technology advancements in charging solutions

3.7.1.3    Rapid urbanization and infrastructure development

3.7.1.4    Increasing global focus on sustainability

3.7.2    Industry pitfalls & challenges

3.7.2.1    High cost of production

3.7.2.2    Maintenance challenges

3.8    Growth potential analysis

3.9    Porter’s analysis

3.10    PESTEL analysis

About Global Market Insights:

Global Market Insights, Inc., headquartered in Delaware, U.S., is a global market research and consulting service provider; offering syndicated and custom research reports along with growth consulting services. Our business intelligence and industry research reports offer clients with penetrative insights and actionable market data specially designed and presented to aid strategic decision making. These exhaustive reports are designed via a proprietary research methodology and are available for key industries such as chemicals, advanced materials, technology, renewable energy and biotechnology.

Contact us:

Aashit Tiwari Corporate Sales, USA Global Market Insights Inc. Toll Free: +1-888-689-0688 USA: +1-302-846-7766 Europe: +44-742-759-8484 APAC: +65-3129-7718 Email: sales@gminsights.com 

[sapana22]

Over-the-Top (OTT) to Witness Significant Growth by Forecast

Over-the-Top (OTT) Market Information

The Over-the-Top (OTT) Market Report provides essential insights for business strategists, offering a comprehensive overview of industry trends and growth projections. It includes detailed historical and future data on costs, revenues, supply, and demand, where applicable. The report features an in-depth analysis of the value chain and distributor networks.

Employing various analytical techniques such as SWOT analysis, Porter’s Five Forces analysis, and feasibility studies, the report offers a thorough understanding of competitive dynamics, the risk of substitutes and new entrants, and identifies strengths, challenges, and business opportunities. This detailed assessment covers current patterns, driving factors, limitations, emerging developments, and high-growth areas, aiding stakeholders in making informed strategic decisions based on both current and future market trends. Additionally, the report includes an examination of the Automatic Rising Arm Barriers sector and its key opportunities.

According to Straits Research, the global Over-the-Top (OTT) market size was valued at USD 276.02 Billion in 2021. It is projected to reach from USD XX Billion in 2022 to USD 2838 Billion by 2030, growing at a CAGR of 29.55% during the forecast period (2022–2030).

Get Free Request Sample Report @ https://straitsresearch.com/report/over-the-top-market/request-sample

TOP Key Industry Players of the Over-the-Top (OTT) Market

Amazon Web Services (AWS)

Netflix

Hulu, LLC

Google LLC

Apple Inc.

Facebook

Telestra

Rakuten Inc.

Microsoft Corporation

Tencent Holdings Ltd.

Global Over-the-Top (OTT) Market: Segmentation

As a result of the Over-the-Top (OTT) market segmentation, the market is divided into sub-segments based on product type, application, as well as regional and country-level forecasts. 

By Component

Solution

Services

By Device Type

Smartphones

Smart TV

Laptops Desktops & Tablets

Gaming Consoles

Set-top Box

Others 

By Content Type

Video

Audio

Games

Communication

Other

By Revenue Model

Subscription

Advertisement

Hybrid

Others

By User Type

Personal

Commercial

By End-User

Media & Entertainment

Education & Training

Health & Fitness

IT & Telecom

E-commerce

BFSI

Government

Others

Browse Full Report and TOC @ https://straitsresearch.com/report/over-the-top-market/request-sample

Reasons for Buying This Report:

Provides an analysis of the evolving competitive landscape of the Automatic Rising Arm Barriers market.

Offers analytical insights and strategic planning guidance to support informed business decisions.

Highlights key market dynamics, including drivers, restraints, emerging trends, developments, and opportunities.

Includes market estimates by region and profiles of various industry stakeholders.

Aids in understanding critical market segments.

Delivers extensive data on trends that could impact market growth.

Research Methodology:

Utilizes a robust methodology involving data triangulation with top-down and bottom-up approaches.

Validates market estimates through primary research with key stakeholders.

Estimates market size and forecasts for different segments at global, regional, and country levels using reliable published sources and stakeholder interviews.

About Straits Research

Straits Research is dedicated to providing businesses with the highest quality market research services. With a team of experienced researchers and analysts, we strive to deliver insightful and actionable data that helps our clients make informed decisions about their industry and market. Our customized approach allows us to tailor our research to each client's specific needs and goals, ensuring that they receive the most relevant and valuable insights.

Contact Us

Email: sales@straitsresearch.com

Address: 825 3rd Avenue, New York, NY, USA, 10022

Tel: UK: +44 203 695 0070, USA: +1 646 905 0080

[riya2510]

Network Encryption Share | Segmented by Top Manufacturers & Geography Regions 

Network Encryption Market Information

The Network Encryption Market Report provides essential insights for business strategists, offering a comprehensive overview of industry trends and growth projections. It includes detailed historical and future data on costs, revenues, supply, and demand, where applicable. The report features an in-depth analysis of the value chain and distributor networks.

Employing various analytical techniques such as SWOT analysis, Porter’s Five Forces analysis, and feasibility studies, the report offers a thorough understanding of competitive dynamics, the risk of substitutes and new entrants, and identifies strengths, challenges, and business opportunities. This detailed assessment covers current patterns, driving factors, limitations, emerging developments, and high-growth areas, aiding stakeholders in making informed strategic decisions based on both current and future market trends. Additionally, the report includes an examination of the Automatic Rising Arm Barriers sector and its key opportunities.

According to Straits Research, the global Network Encryption market size was valued at USD 4 Billion in 2021. It is projected to reach from USD XX Billion in 2022 to USD 8 Billion by 2030, growing at a CAGR of 9% during the forecast period (2022–2030).

Get Free Request Sample Report @ https://straitsresearch.com/report/network-encryption-market/request-sample

TOP Key Industry Players of the Network Encryption Market

Thales Trusted Cyber Technologies

ATMedia Gmbh

Atos SE

Juniper Networks Inc.

Certes Networks Inc.

Senetas Corporation Ltd

Viasat Inc.

Raytheon Technologies Corporation

Securosys SA

Packetlight Networks

Rohde & Schwarz Cybersecurity GmbH

Global Network Encryption Market: Segmentation

As a result of the Network Encryption market segmentation, the market is divided into sub-segments based on product type, application, as well as regional and country-level forecasts. 

By Solution

Network Encryption Platforms

On-Premise

Cloud-based

Network Encryption Devices

Services

Professional Services

Security Consulting

Training & Education

Support & Maintenance

Managed Services

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Provides an analysis of the evolving competitive landscape of the Automatic Rising Arm Barriers market.

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Highlights key market dynamics, including drivers, restraints, emerging trends, developments, and opportunities.

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Aids in understanding critical market segments.

Delivers extensive data on trends that could impact market growth.

Research Methodology:

Utilizes a robust methodology involving data triangulation with top-down and bottom-up approaches.

Validates market estimates through primary research with key stakeholders.

Estimates market size and forecasts for different segments at global, regional, and country levels using reliable published sources and stakeholder interviews.

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[healthcaremarketanalysis]

Breast Imaging Market worth $6.6 billion by 2028

Breast Imaging Market in terms of revenue was estimated to be worth $4.4 billion in 2023 and is poised to reach $6.6 billion by 2028, growing at a CAGR of 8.5% from 2023 to 2028 according to a new report by MarketsandMarkets™. The major factors driving the growth of this market include rising awareness campaigns, increasing public-private investments, and lucrative opportunities in emerging markets.

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Browse in-depth TOC on "Breast Imaging Market"

244 - Tables

37 - Figures

266 – Pages

Non-ionizing breast imaging technologies segment to register significant growth rate over the forecast period of 2023-2028

Based on the technology, the global breast imaging market is segmented into ionizing breast imaging technologies and non-ionizing breast imaging technologies. The non-ionizing breast imaging technologies segment is anticipated to register the highest growth rate over the forecast period. The ionizing breast imaging technologies segment accounted for the highest share of the breast imaging market in 2022.

Software & services segment accounted for the largest share of the breast imaging market, by product in 2022.

Based on product, the global breast imaging market is segmented into breast imaging systems, software & services, and accessories. Software & services segment accounted for the largest share of the market in 2022 and is expected to grow at the highest CAGR during the forecast period.

Factors such as the rising installation in end user facilities and introduction of novel software drive the growth of the market.

The hospitals and clinics segment accounted for the largest share of the breast imaging market, by end user, in 2022

Based on end user, the global breast imaging market is segmented into hospitals and clinics, diagnostic imaging centers, breast care centers, and other end users. The hospitals and clinics segment accounted for the largest share of the market in 2022. Consistent rise in the adoption of advanced instruments supporting early detection by different end users are driving the growth of this segment.

By Region, North America is Expected to be the Largest Market During the Forecast Period

North America, comprising the US and Canada, accounted for the largest market share in 2022. Factors such as growing funding for research, and increasing applications in the healthcare sector, and presence of major players in the region are driving market growth in North America. According to GLOBOCAN 2020, 281,591 new breast cancer cases were diagnosed in North America in 2020, and this number is expected to increase by 43,927 by 2030. Rapid growth in the geriatric population in the region is also resulting in an increasing number of breast cancer cases.

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Key Market Players:

As of 2022, prominent players in the breast imaging market are GE Healthcare (US), Hologic, Inc. (US), Siemens Healthcare GmbH (Germany), Koninklijke Philips N.V. (Netherlands), and FUJIFILM Holdings Corporation (Japan).

Recent Developments:

In 2021, Hologic launched a new ultrasound system, SuperSonic MACH 20. This system enhances diagnostic accuracy as well as efficiency. It provides users with improved image quality along with innovative imaging modes.

In 2020, GE HealthCare introduced the industry's first contrast-enhanced guided biopsy solution for breast cancer patients. Serena Bright enables clinicians to access contrast guidance for conducting breast biopsy exams using the same mammography equipment.

In 2022, Siemens Healthcare GmbH expanded its ultrasound portfolio by launching refreshed Acuson family systems. These systems have enhanced clinical adaptability and can be used for routine purposes.

Breast Imaging Market Advantages:

Early Detection: Breast imaging techniques, such as mammography and advanced technologies like digital breast tomosynthesis, enable the early detection of breast abnormalities, including tumors and lesions. Early detection is crucial for improving treatment outcomes, as it increases the chances of successful intervention and reduces the need for more invasive procedures.

Improved Accuracy: Breast imaging technologies continue to evolve, offering improved accuracy in detecting and characterizing breast abnormalities. This allows healthcare professionals to differentiate between benign and malignant lesions, reducing unnecessary interventions and providing patients with more accurate diagnoses.

Screening and Surveillance: Breast imaging plays a vital role in breast cancer screening and surveillance programs. Regular mammography screenings can help identify breast cancer at its earliest stages, even before symptoms are apparent. This facilitates early intervention and increases the likelihood of successful treatment.

Guided Interventions: Image-guided interventions, such as ultrasound-guided biopsies and stereotactic procedures, provide precise guidance for minimally invasive procedures. These techniques enable accurate tissue sampling, reducing the need for more invasive surgical procedures and improving patient comfort and recovery times.

Personalized Medicine: The breast imaging market is increasingly embracing personalized medicine approaches. Genetic testing and risk assessment tools can help tailor screening protocols and treatment plans based on an individual's risk profile. This approach enhances the effectiveness of breast cancer management and optimizes resource allocation.

Research and Development: The breast imaging market drives continuous research and development efforts. Technological advancements, such as AI integration and 3D printing, are being explored to enhance imaging capabilities, improve accuracy, and provide innovative solutions for personalized patient care. These advancements contribute to the overall progress of breast imaging and the field of breast cancer diagnosis and treatment.

Increased Awareness and Education: The breast imaging market plays a crucial role in raising awareness about breast health and the importance of regular screenings. It also promotes education and training for healthcare professionals, enabling them to stay updated with the latest advancements and best practices in breast imaging.

These advantages highlight the significant role of the breast imaging market in improving breast cancer detection, diagnosis, and treatment, ultimately leading to better patient outcomes and reduced mortality rates.

About MarketsandMarkets™

MarketsandMarkets™ has been recognized as one of America's best management consulting firms by Forbes, as per their recent report.

MarketsandMarkets™ is a blue ocean alternative in growth consulting and program management, leveraging a man-machine offering to drive supernormal growth for progressive organizations in the B2B space. We have the widest lens on emerging technologies, making us proficient in co-creating supernormal growth for clients.

Earlier this year, we made a formal transformation into one of America's best management consulting firms as per a survey conducted by Forbes.

The B2B economy is witnessing the emergence of $25 trillion of new revenue streams that are substituting existing revenue streams in this decade alone. We work with clients on growth programs, helping them monetize this $25 trillion opportunity through our service lines - TAM Expansion, Go-to-Market (GTM) Strategy to Execution, Market Share Gain, Account Enablement, and Thought Leadership Marketing.

Built on the 'GIVE Growth' principle, we work with several Forbes Global 2000 B2B companies - helping them stay relevant in a disruptive ecosystem. Our insights and strategies are molded by our industry experts, cutting-edge AI-powered Market Intelligence Cloud, and years of research. The KnowledgeStore™ (our Market Intelligence Cloud) integrates our research, facilitates an analysis of interconnections through a set of applications, helping clients look at the entire ecosystem and understand the revenue shifts happening in their industry.

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[rkingresearch]

Pharmaceutical Packaging Market Size, Value, Report 2022-2028

The Global Pharmaceutical Packaging Market Size was valued at USD 90.2 billion in 2021. The market is projected to grow by USD 144.2 billion in 2028, at a CAGR of 8.9%.

The global Pharmaceutical Packaging market research gives a detailed and practical analysis of the products and services in this market which provides a competitive advantage to the existing and new businesses. In depth study and overview of the market has been collected by the overall insight of the industry and specifies the market segmentation, potential opportunities, growing market trends and events, current and future advancements, and other elements. This report will also showcase many possibilities of upscaling the global Pharmaceutical Packaging market share size.

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The competitive landscape of Pharmaceutical Packaging market includes major players such as:

 The report includes all key points related to the most important determinants of Pharmaceutical Packaging industry’s growth. This research looks closely at the market competition, product development trends, and sale prospects such as evolutions of consumer behavior, current market need, client preferences, and changing needs and demand. Furthermore, the report discusses its prominent players, along with their new entrants, influential players and much more.

The Pharmaceutical Packaging market analysis will help companies identify potential development areas and create strategies to take advantage of emerging opportunities. It analyzes the current competitive environment in addition to offering key details like market statistics and product releases from leading companies in this industry. This industry is characterized in terms of market size, market coverage, market exchange rate, segmentation, and market share.

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The Pharmaceutical Packaging market is segmented by types into:

SEGMENTATION:-

 By Material

  By Product Type

 By Drug Delivery

 By Packaging Type

By Region

 Detailed analysis of applications and customers that use the services provided by the Pharmaceutical Packaging market is also discussed in the report. Similarly, it provides information about its key competitors and their footprints according to the respective regions. Along with it, the study will cover company portfolios, Pharmaceutical Packaging market growth opportunities, obstacles, collaborations, mergers and acquisitions.

Moreover, it provides a quick summary of the Pharmaceutical Packaging global market developments for the estimated period of time which will ultimately provide ideas to businesses in terms of working and processes of the Pharmaceutical Packaging market. This research has been generated based on the historical data and future possibilities of the market. The overall industry scale of the market has been studied from the global perspective by utilizing multiple research methodologies such as Porter’s five forces model, SWOT and PESTEL analysis.

Detailed TOC of Global Pharmaceutical Packaging Market @ https://www.extrapolate.com/toc/Healthcare-Medical-Devices-Biotechnology/pharmaceutical-packaging-market/21601

TABLE OF CONTENTS:-

1. Executive Summary

2. Research Methodology

3. Market Outlook

4. COVID-19 Impact On Pharmaceutical Packaging Market

5. Global Pharmaceutical Packaging Market Overview, By Material, 2015 - 2028(USD Million)

6. Global Pharmaceutical Packaging Market Overview, By Product Type, 2015 - 2028(USD Million)

7. Global Pharmaceutical Packaging Market Overview, By Drug Delivery, 2015 - 2028(USD Million)

8. Global Pharmaceutical Packaging Market Overview, By Packaging Type, 2015 - 2028(USD Million)

9. Global Pharmaceutical Packaging Market Overview, By Geography, 2015 - 2028(USD Million)

10. North America Pharmaceutical Packaging Market Overview, By Countries, 2015 - 2028(USD Million)

About Us

Extrapolate is a global market research and content services firm that works closely with clients in various industries to improve market position, increase returns on marketing investments, and define and implement strategies that get real results.

In an era of breakneck change and a low tolerance for missed or misread opportunities, businesses need astute guidance to shape markets-not merely respond to them. Extrapolate helps clients develop market perspectives that drive commercial success.

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[marketresreasrch]

Sunglasses Market to Projected $20.75 Billion by 2030

The global sunglasses market size was valued at USD 14,208 million in 2021. It is projected to reach USD 20753.52 million by 2030, growing at a CAGR of 4.3% during the forecast period (2022–2030).

The latest report on the global Sunglasses Market market offers an extensive analysis of market size, share, growth trends, and competitive dynamics across key regions. Segmented by type, end-use, and application, the report provides invaluable insights into the driving factors behind market growth, as well as potential obstacles and opportunities within the sector.

The report combines both primary and secondary research methodologies, ensuring a thorough and accurate evaluation of the market. It also explores the impact of regulatory frameworks and investment trends, providing a holistic view of the evolving industry landscape.

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Regional Insights and Market Dynamics

Regional analysis of the Sunglasses Market market examines key territories, including North America, Europe, Asia Pacific, Latin America, the Middle East, and Africa. Each region’s market status is assessed in terms of growth rate, market size, and trade activities, offering a comprehensive understanding of global market dynamics.

Key Findings Include:

Largest Market: The North America region remains the dominant player in the Sunglasses Market industry, holding a substantial share of the global market.

Fastest Growing Market: Despite the dominance of the North America, Asia Pacific is emerging as the region with the highest growth potential in the Sunglasses Market sector.

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Detailed Market Segmentation

By Type

Polarized

Non-Polarized

By Design

Aviator/ Pilot

Rectangle

Round

Square

Oval

Cat Eye

Others

By Category

Sports

Multifunctional

By Gender 

Men

Women

Unisex

By Frame Material

Acetate

Metal

Injected

Others

By Distribution Channel

Supermarket and Hypermarket

Specialty Store

Convenience Store

Online Sales Channel

Sunglasses Market Market Key Players

De Rigo Vision S.P.A.

Essilorluxottica Sa

Eyevan Inc.

Fielmann Ag

Loch Effects

Marcolin S.P.A. (Marcolin Group)

Randolph Engineering Inc.

Safilo Group S.P.A.

Stylrite Optical Industries

Wenzhou Eugenia Eyewear Co.Ltd.

(Eugenia Eyewear)

Customizable Insights for Stakeholders

Designed to meet the needs of businesses, investors, policymakers, and other stakeholders, this report offers fully customizable research to help companies navigate the Sunglasses Market market's complexities. For those interested in further details or specific market insights, the report can be tailored to meet unique research requirements.

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